The series of linocuts are based on images that have been developed from the pool of drawings I have created since the spring of 2005.They are the final step in the journal process.They appear disordered and slightly irreverent in their roughness.Alive
and direct is the goal.
Over the past year I have created about 500 of these images.Each drawing is numbered and dated.They have developed a vocabulary of gestures.Gritting teeth refer to the images found in erotic Japanese woodblock prints,
while the multiple eyes seek to describe sensory responses, hands reach for desires, double heads – free will and paradox.
When displayed they will be out of order, no longer a chronological record.There is no hierarchy evident.No particular
beginning or end, if there is a narrative constructed it will change with each new grouping.The images are titled often with a single word placed there to create a point of recognition for the viewer.
