| Doug Guildford |
| My background is eclectic and unconventional.However, for the past 35 years I have been identified as a visual artist. My practice has changed considerably over the years, but has always been an earnest and considered response to my take on the world that I live in, and to my accumulating knowledge of the histories of art. With a background in graphic work, I have sustained projects based on drawing and traditional print media. They have been at the core of my professional exhibition history. More recently, I have stretched the site-situational, and (print)-stallational thrust of my work towards more sculptural territory. Graphic work continues to be an important part of both my process and my thesis.The vocabulary that has been distilled in the graphic work is manifested into the sculptural terrain. Much of my time is split between my studios,in Toronto, and on the Atlantic coast of the south shore of Nova Scotia.Recently, I have taught sessionally in Drawing and Print Media by invitation at the Ontario College of Art and Design, the Toronto School of Art, and in the Fine Art and Art History Program at Sheridan College.I am an active member of Open Studio Printmaking Centre, and am represented by Edward Day Gallery. |
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Please email the gallery to view more works by Doug Guildford. |
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Education 1969 Bachelor of Arts, Political Science, Dalhousie University, Halifax, NS 1980 Ontario College of Art (two years full-time study) Selected Solo Exhibitions 2007 (UPCOMING) Clarington Arts Centre, Bowmanville ON 2006 MARKING TIME-Excerpts from 21 Years of Screenprinted Calendars, Open Studio, Toronto 2005 SALT WATER: RECENT ETCHINGS, Edward Day Gallery, Toronto BAG, a site-specific installation, Harbourfront Centre, Toronto 2003 TABLE of UNIDENTIFIED CONTENTS, Open Studio, Toronto SCRIBBLE, in collaboration with Lilianne Rodriguez, Natural Light Gallery, Toronto 2002 SALVAGE, George Gilmour Gallery, Open Studio, Toronto LOW TIDE, Edward Day, Toronto 2001 SALT MARSH PRINTS, Spiral, Toronto 2000 QUICKSAND, The Japan Foundation, Toronto 1994 I FALL TO PIECES, Red Head Gallery, Toronto Exhibiting since 1988 Selected Group Exhibitions 2006 FRAY, Textile Museum of Canada, and The Koffler Gallery, Toronto POWER of 2, Clarington Arts Centre, Bowmanville ON KIWI GARDEN PROJECT, Perth ON 2005 ROGUE WAVE, a biennial convergence of site specific artworks on Toronto Islands. MODERN DAY MYTHS, Harbourfront Vitrines, Toronto FIBREWORKS (juried biennial), Art Gallery of Peterborough, ON 2004 FIBREWORKS (juried biennial), Cambridge Galleries, Cambridge, ON. TSA FACULTY SHOW, the Spoke Club, Toronto, ON 2003 CA>PE: Canada’s Open Studio, Galleria Juan Pardo Heeren, LIma, Peru ILLUMINATED WASHI, Toyota Gallery, Paris, France INSIDE OUT, Atlantic Center for the Arts, New Smyrna Beach, Florida, USA THE POWER OF PLACE, the Art Gallery of Newfoundland and Labrador FLUX-THE WATER PROJECT, Edward Day Gallery, Toronto 2002 GREAT CANADIAN PRINTMAKING COMPETITION awards and honourable mentions. PEACE WALL, Edward Day, Toronto 2001 PRINTWORK, Edward Day, Toronto 2000 READING THE FACE: APPEL, GUILDFORD, HADSIHASANOVIC, Library Gallery, Cambridge, ON REDROSPECTIVE, Red Head Gallery, Toronto PRINTS, Edward Day Gallery, Kingston, ON 1999 SOME SUBTLE SYMPATHY, Edward Day Gallery, Toronto TIME:BEING, Gallery One 2 One, Toronto 1998 MANIFEST DESTINY, Art Gallery of Mississauga, ON DECEMBER, Edward Day Gallery, Toronto EBB AND FLOW, Simcoe Gallery, Toronto 1997 PAPERBACKED/PAPERBOUND, Blackwood Gallery (U. of T.), Mississauga, ON 1996 EXQUISITE CORPSE, Cold City Gallery, Toronto IN SYNC: CANADIAN ARTISTS USING WASHI, Inomachi, Kochi, Japan and The Japan Foundation, Toronto 1995 ARTISTS’ BOOKS, North Winds Gallery, Woodstock, New Hampshire, USA THE FACE SHOW, York Quay Gallery, Toronto NEW PRINTS, Prime Gallery, Toronto Selected Commissions 2000 Literary Review of Canada, vol. 8, #4, May 2000 drawings featured throughout issue. 1986-06 21 consecutive Annual portfolios of screen prints (21 calendars) 1994 Commission to create a Memorial Wall for Buddies in Badtimes Theatre Grants, Awards 2003 Pollock-Krasner Foundation Inc., New York Canada Council, Travel Grant Ontario Arts Council Toronto Arts Council 2002 Open Studio, Toronto, Nick Novak Scholarship 1999 First Place in The Great Canadian Printmaking Competition 2000 Canada Council Toronto Arts Council 1998 Canada Council Ontario Arts Council Toronto Arts Council 1997 Ontario Arts Council 1996 Canada Council Selected Collections Canada Council Art Bank Ernst and Young Baffin Island Printmaking Coop Fidelity Trust Canadian Environmental Law Association Open Studio Humberside Collegiate St. Michael’s Print Shop. St. John’s, Nfld. Numerous private collections Lectures, Residencies, Etc. 2005-06 Sheridan College, Art and Art History :Print Media- intro to 4th year 2004-06 Ontario College of Art and Design sessional: printmaking and drawing, Faculty of Art 2003-06 Toronto School of Art Etching instructor 2004 Ontario College of Art and Design visiting artist slide lecture Master-printer for Hannah Claus, Open Studio visiting artist 2003 Invited Associate Artist (residency) at Atlantic Center for the Arts, Florida, U. S. A 2002 McMaster University visiting artist slide lecture Invited Visiting Artist (residency) at St. Michael’s Printshop, St. John’s, NFLD St. Michael’s Printshop visiting artist slide lecture Edward Day Gallery public slide lecture 2000 Partnered with First Nations artist, Tim Trudeau, conducted stamp-carving workshops at Name Rez, a native men’s hostel (Toronto) in preparation for a street art project, organized by Art Starts. 1994 Fanshaw College, London, ON, 3rd year print making class, six weeks replacement teaching 1993 Shadowland for Carribana, Toronto participated in mas’ camp, created and performed major character. |